Adventure art - part 1https://kazil.home.xs4all.nl/advart01.html
coverage by the local television stations. The spectacle of the Cadillac crashing through the burning TV sets became a visual manifesto of the early alternative video movement. Wh
I'm alone, but not lonelyhttp://www.cjas.org/~leng/otaku-e.htm
of videotapes and television, the lack of a sense of reality in the information society and the isolation of youth are behind the crime as sickness of modern society. The result o
Joseph Campbell with Bill Moyers "The Power of Myth"https://carljung.ru/Library/CampMoye.htm
attempting to bring to television the lively minds of our time. We had taped two programs at the museum, and so compellingly had his presence permeated the screen that more than f
Collected Essays, by Rudy Ruckerhttps://www.rudyrucker.com/transrealbooks/collectedessays/
of children gazing at television, and everyone has a good time. It’s a warm bath, a love-in. The cyberpunk panel was different. The panelists were crayfishing, the subnormal
David Bowie and the Occult — The Laughing Gnostic | Peter-R. Koenighttps://www.parareligion.ch/bowie.htm
'Cracked Actor', a 1975 television documentary about Bowie, made by Alan Yentob for the BBC. See also the Mask–stills later in this text. Because Bowie employed the cut–up techniq
Peter-R. Koenig traces David - Bowie’s occult laboratory through Golden Dawn, Aleister Crowley, Cabbala, Gnosticism, science fiction, Blackstar, and the manufacture of pop person
Dum-Dum Archivehttps://www.erbzine.com/dumdum/archive.html
(1997); London Weekend Television’s In Search of Tarzan (1999); Tarzan: Silver Screen King of the Jungle (2004); the award-winning Tarzan, Lord of the Louisiana Jungle (2012); and
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