2blowhards.com: Decline and Fall of the Classical Facehttp://www.2blowhards.com/archives/2006/03/decline_and_fall_of_the_classi.html
that not all women in paintings looked like Greek statues, but it was a common enough practice in those days. Okay. I haven't exactly researched this using primary documentation a
2blowhards.com - a weblog
Anne Sudworthhttp://www.annesudworth.co.uk/anne.html
has been drawing and painting since early childhood and in 1993 she presented her first exhibition "Visions and Views". Many more exhibitions have followed including the
history of freedomhttps://histclo.com/cih/free.html
Delacroixwho did other paintings with the theme of freedom. Notice the depiction of Liberty in the form of the Roman godess--livertas. And notice that she is wearing a conical Phr
The story of freedom is arguably the key epic of humanity. Here we are not taling avout a history of freedom because freedom has so many ramofications beyound just history, sonoff
Ancient and Modern Initiation by Max Heindelhttps://www.phoenixmasonry.org/ancient_and_modern_initiation.htm
it in two of his great paintings, "The Sistine Madonna" and the "Marriage of the Virgin," which we would advise the interested reader to examine for himself. C
Sartor Resartus by Thomas Carlyle.https://ithaka.github.io/ugw-works/sartor/
we find tattooing and painting even prior to Clothes. The first spiritual want of a barbarous man is Decoration, as indeed we still see among the barbarous classes in civilized co
handprint : colormaking attributeshttp://www.handprint.com/HP/WCL/color5.html
light reflected from a painting, and the viewer's eye interprets this reflected light as color in space. These two extremes of color experience — the mixed paints, and the in
Find more...