1833 John Stuart Mill: What is Poetry?https://www.lyriktheorie.uni-wuppertal.de/lyriktheorie/texte/1833_mill1.html
– the minds and hearts of greatest depth and elevation are commonly those which take greatest delight in poetry; the shallowest and emptiest, on the contrary, are, by univer
Minerva Systemshttp://minervaclassics.com/
interests as visual arts, archaeological reconstruction, musical composition, literary criticism, social trends, popular culture, history, and many fields yet to be discovered. Of
Martin Luther - Hitler's Spiritual Ancestor by Peter F. Wienerhttps://tentmaker.org/books/MartinLuther-HitlersSpiritualAncestor.html
the ruin of municipal arts and civilisation. . . . Intellectually, morally and politically, Germany was a desert, and it was called religious peace." I thought it necessary i
Martin Luther - Hitler's Spiritual Ancestor by Peter F. Wiener--Many of the Reformers were NOT the saints much of Protestant Church History paints them as. This work reveals some
A Guide to Isaac Asimov's Essayshttp://www.asimovonline.com/oldsite/essay_guide.html
and overpopulation fine arts literature writing issues in science mathematics and computers astronomy physics chemistry geology biology zoology physiology microbiology robotics te
The Decline of the West| Project Gutenberghttps://www.gutenberg.org/cache/epub/72344/pg72344-images.html
States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg
The Ordo Templi Orientis Phenomenon — Peter-R. Koenighttps://www.parareligion.ch/
with imported customs, arts, philosophies, religions, and sciences. Within their own universe, modern occultists function as wandering encyclopaedias. It is quite state–of&n
Peter-R. Koenig’s parareligion.ch homepage: a fieldwork-based, critical, image-rich archive on the O.T.O. phenomenon, its schisms, rituals, Gnostic churches, rival lineages, and
SRI RAMANA AND SOMERSET MAUGHAMhttps://the-wanderling.com/the_holy_man_.html
be noted, except for parts, his screenplay was not used, but he did keep the painting. The studio said Maugham's version had too much talking. Maugham, although generally satisfie
The French Impressionists (1860-1900), by Camille Mauclairhttps://www.ajhw.co.uk/books/book154/book154.html
and the Ecole des Beaux Arts . All the same, its ideals are of very mixed origin and very little French. Its principles are the same by which the academic art of nearly all the of
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